pachuco, pacha, p'alante, 2019
pattern paper and gold leaf on muslin
50 x 90 inches (127 x 229 cm)

every measure of zero (checkmate), 2018
wax on dress maker paper
13.75 x 13.25 inches (35 x 34 cm), framed

revolutions abound (Estadio Olimpico Atahualpa), 2019
wax on oak tag
53.5 x 81.5 inches (136 x 207 cm)

Souls of Black Folk (Popol Vuh), 2018
silver leaf and wax on dress maker paper
30.5 x 24 inches (77.5 x 61 cm), framed

every measure of zero (tropic of cancer), 2018
wax on dress maker paper
23.5 x 17 inches (60 x 43 cm), framed

Installation view of Ronny Quevedo’s work in Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art at Whitney Museum of American Art, New York (July 13-September 30, 2018). Photograph by Ron Amstutz, courtesy the artist and Whitney Museum of American Art.

notes on the poetics of relation (0 degrees), 2017
gold leaf on dress making paper
26 x 33 inches

el perimetro, 2017
gold leaf and silver leaf on dress maker wax paper
26 x 39 inches

ULAMA-ULE-ALLEY OOP, 2017
enamel, silver leaf, vinyl and pencil on Mylar on panel
42 x 84 inches

ULAMA-ULE-ALLEY OOP (detail), 2017
enamel, silver leaf, vinyl and pencil on Mylar on panel
42 x 84 inches

field of play, 2016
wax and embossment on paper
48 x 31.5 inches

notes on the poetics of relation #2, 2015
silver leaf, wax and adhesive film on paper
39 x 26 inches

equatorial shifts, 2017
reclaimed gym floor, enamel, steel and milk crates
144 x 192 x 240 inches
Socrates Sculpture Park

there is no halftime / no hay medio tiempo, 2017
Queens Museum

there is no halftime / no hay medio tiempo (aerial view), 2017
Queens Museum