Select image for free digital download. Alphabetical by artist or group exhibition title.
Monograph covering major bodies of work by Morehshin Allahyari, including Material Speculation: ISIS, Dark Matter and early stages of She Who Sees the Unknown. It includes an introductory essay by Gretty Louw, developed in part thanks to Marta Herford Museum für Kunst, Architektur, Design.
4.8 MB PDF, 50 pages, color images throughout, created 2018.
Catalog created for the exhibition We Live Only Through Ourselves by Ben Buswell, on view at Upfor in Portland, Oregon from December 5, 2013 through January 25, 2014. It includes an introductory essay by Erik Parra and full-color detail shots of the embellished surfaces of Buswell's work.
5.9 MB PDF, 34 pages, color images throughout, created 2014.
Catalog created for Unpattern, a solo exhibition of paintings by Jack Featherly, on view at Upfor in Portland, Oregon from August 7 through August 30, 2014. Opens with a conversation between the artist and Josephine Zarkovich, arts writer and curator.
6.4 MB PDF, 36 pages, color images throughout, created 2014.
This catalog, an updated second edition, briefly covers major recent bodies of work by Oregon artist Julie Green, including Ledgers, An Embarrassment of Dishes, My New Blue Friends, Fashion Plate and First Meal with an introductory statement by the artist.
9.7 MB PDF, 54 pages, color images throughout, created 2020.
Monograph featuring artworks created by Brenda Mallory, highlighting her use of wax, temporary installations, reclaimed materials, and more recently, works on and of paper. The printed monograph was published for Mallory’s solo exhibition, Gather Back.
4.8 MB PDF, 54 pages, color images throughout, created 2019.
Guide for the group exhibition Pain Tero Flight, on view at Upfor in Portland, Oregon from January 20 through February 27, 2016. The exhibition was co-curated by Alicia Eler and included work by Maria Bamford, Ray Anthony Barrett, Scott Marvel Cassidy, Jeremy Couillard and Jordan Rathus, Rachel Lord, Jillian Mayer, and Ralph Pugay. It opens with essays by Theo Downes-Le Guin and Alicia Eler.
1.9 MB PDF, 22 pages, color images and text throughout, created 2016.
Catalog created to document two solo exhibitions by Brenna Murphy, presented at Upfor in Portland, Oregon: Lattice~Face Parameter Chant and Central~Lattice Tool Array. It includes an introductory interview with the artist by Tim Gentles, originally published online through Art in America.
13.2 MB PDF, 56 pages, color images throughout, created 2017.
Monograph covering major bodies of work created by Ronny Quevedo over the last several years, including works from the exhibition Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art (Whitney Museum of American Art, 2018) and early works from the series Every Measure of Zero. Includes an introductory essay by Mariola V. Alvarez.
11.5 MB PDF, 86 pages, color images throughout, created 2019.
Catalog created for the exhibition If Ancestors Anchor by Richard Stuart Perkins, on view at Upfor in Portland, Oregon and on Artsy from April 1 through May 30, 2020. It includes a list of works and poems written by the artist.
2.8 MB PDF, 8 pages, images throughout, created 2020.
Valentina Fois curated the inaugural upfor.digital exhibition, including works by Morehshin Allahyari, Leah Beeferman, Kate Durbin, Faith Holland, Brenna Murphy and Megan Snowe. This PDF catalog documents the exhibition at upfor.digital, Upfor’s virtual exhibition space active from 2016-2018. Prices and work availability in the catalog’s price list were current at time of publication but are subject to change without notice.
11.7 MB PDF, 44 pages, color images throughout, created 2016.
Catalog created for the exhibition Critter by Ralph Pugay, on view at Upfor in Portland, Oregon from October 2, 2014 through November 1, 2014. Includes an introductory interview of the artist by fellow painter Amy Bernstein.
13.3 MB PDF, 56 pages, color images throughout, created 2014.
Catalog documenting the exhibition Self(ie) Portraits, on view at Upfor in Portland, Oregon from January 31, 2014 through March 31, 2014. Includes a preface by writer, critic and curator Alicia Eler.
3.8 MB, 32 pages, color images throughout, created 2014.